stevenpiziks: (Default)
I'm amazed and thrilled to announce that my story "Eight Mile and the City" from When Worlds Collide has won the WSFA small press award for short fiction.

Check it!

This year, the committee got more than 260 stories for initial consideration. They whittled it down to ten finalists, including my story. The finalist list has some heavy-hitters in the SF writing community on it, and there were so many stories anyway, so I wasn't expecting to win. I had a "It would be great, but no need to get your hopes up" frame of mind. I was in the audience at the award ceremony in Washington DC, and when they announced my story had won, I was floored. I was so surprised, I couldn't do anything for a moment but stare at the announcer. Joshua Palmatier, one of the editors for the anthology, was sitting next to me, and I could see he was thrilled. In a fit of exuberance, I hugged him, then went up to the podium to get the award. I also gave a short speech. This is what I said:

Thank you, everyone! This is amazing!

This story means a lot to me. Not just because I wrote it, but because of what it means. The main character in "Eight Mile and the City" from When Worlds Collide is gay, but that's not what the story is about. The story is about a hardboiled detective trying to solve a kidnapping and uncovering his own past as well.

Not that long ago, this story would only have appeared in an anthology of gay fiction and "only"
gotten the attention of the Gaylactic Spectrum Award. This story appears in a fantastic anthology
of wonderful stories that are geared toward all SF readers. It's not a specialty. It's not an odd outlier. Instead, it's one of the family.

Coincidentally, this weekend marks the opening of Bros, the first R-Rated gay rom-com put out
by a major studio. It's gotten smash reviews and is expected to be a box office success. At last, we get to have a happy ending. We've come a long way since the doom and gloom of Brokeback Mountain.

We still have further to go, of course, but every step forward gets us one step closer to full inclusion and acceptance. I'm thrilled that my story has become one of those steps.

I do want to thank the committee members for choosing "Eight Mile and the City." It means so very much! I also need to thank the members of the Untitled Writers Group of Ann Arbor, Michigan--Sarah, MaryBeth, Jonathan, Christian, Diana, Cindy, Ted, Christine P-K, and Christine D--for commentary that improved every line of this story. I want to thank S.C. Butler and Joshua Palmatier for editing When Worlds Collide and buying my story. And I want to thank my husband Darwin McClary for the inspiration I needed to write this piece.



I'm back home now and coasting on euphoria!

stevenpiziks: (Default)
It's a wrap.

The final ballot for the Phillip K. Dick Award has been created and released.  For the record, it is (in alphabetical order by author):

GREY by Jon Armstrong (Night Shade Books)
UNDERTOW by Elizabeth Bear (Bantam Spectra)
FROM THE NOTEBOOKS OF DR. BRAIN by Minister Faust (Del Rey)
NOVA SWING by M. John Harrison (Bantam Spectra)
GRADISIL by Adam Roberts (Pyr)
ALLY by Karen Traviss (Eos)
SATURN RETURNS by Sean Williams (Ace Books)

Gentlejudge's behavior (and Gordon van Gelder's hidden snipers) forbids me from saying anything about judging the finalists or hinting anything about the ultimate winner, of course.  Once the winner is announced, I might post little reviews about the finalists, but until then I remain mum.  I do have some observations about the judging process itself:

--My mail carrier must hate me.  I think I averaged over two books a week all year.

--Some people don't pay attention to the rules.  The PKD award is for original paperback science fiction, which could include single-author collections of SF short stories.  Nevertheless, I got fantasy, horror, and hardcovers.  The crown winner for rule-breaking was a hardcover anthology of horror stories.  Sheesh!

--I never want to read science fiction again!  Well, not for a while, anyway.  This year, the only books I read were PKD award material and whatever I was reading for my own research.  I read nothing for pure pleasure (unless you count the PKD books that turned out to be pleasure).  I have a pile of fantasy, mystery, and thriller novels that I'm dying to get to now.  Once the PKD books were done, I dove straight into Terry Pratchett's MAKING MONEY, for example.  Ohhhh, it was nice to read something different!

--I did get to read a lot of stuff I never would have picked up on my own, including all the books that appear on the finalist ballot.  It was an extremely interesting trip through this year's SF field.

--It continues to amaze me what can get published.  We judges received many, many books that we unanimously agreed were horrible, in an "embarrassingly badly written" sort of way.  Clunky, awful stuff, and not all of it from small presses, either.  (Actually, I think GREY and GRADISIL are from small or medium presses, which goes to show that the little guys shouldn't be ignored.)  Some really dreadful stuff came from The Big Guys.  Not, I suppose, that this is news, but it was interesting to see it reaffirmed in such a big way.

--We also received many books that deserved to be on the final ballot but couldn't be there because only so many are allowed.  It was painful to make those cuts.

--Some books started out so very promising and then turned on us, like A students who abruptly failed in the second semester.  Extremely disappointing when that happened.  In the PKD newsgroup, we'd get comments like, "Hey, everyone, I'm reading TEQUILA SUNRISE ON BETELGEUSE, WITH MERMAIDS* and it's really, really good.  Take a look."  And then, a few days later: "Aw man!  Halfway through, it just dies.  Awful!"  This happened more often than you might think.

--So when do I get my honorarium . . . ?  Gordon?  Hello?

*Not a real title, though now that I think about it, it's a pretty good one.

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