stevenpiziks: (Default)
 It seems that one of my books ticked off a member of the school board. Aw! Definitely don't have a look at it.

https://www.amazon.com/Importance-Being-Kevin-Steven-Harper/dp/1644052571/

It's Here!

Jan. 28th, 2025 05:11 pm
stevenpiziks: (Default)
 It’s release day for THE DOOMSDAY VAULT in audio! I’ve been listening to it, and the narration is fantastic. Full author approval! :) You can find it here:

https://www.audible.com/pd/The-Doomsday-Vault-Audiobook/B0DT4V8D56

If you’re up for leaving a review, it would be very helpful!



stevenpiziks: (Default)
 Some great news! We have a release date for the audio version of my Clockwork Empire steampunk series. They hit the stores on January 28. Cut Bonnem and Kim Bretton narrate the books, and they're wonderful! The editor sent me some snippets, and I love the accents, I love the intonations, and I love the narration. Love!

I guess I'm a little unusual. See, some authors don't like listening to someone else read their books aloud, usually because the author has lived with the book for a year or more and has developed an internal voice of what the book and the characters sound like, and no narrator can match it. So the author feels uncomfortable: "The narrator got it wrong! That's not how Betty sounds!" or some such.


Me? I absolutely love it. Instead of feeling uncomfortable, I get fascinated. I get to see how someone else imagines my work. It's like getting a peek into a reader's head. Whenever one of my books comes out on audio, I can't wait to listen.


All four books will drop at once, though the first one in the series is 
The Doomsday Vault. The cover blurb goes:


A bizarre strain of zombies roam the streets of Victorian London, infecting all they touch with the Clockwork Plague. While most victims die painful deaths, a few become Clockworkers, geniuses who create the greatest inventions of the age—right before going insane.


The plague has also taken its toll on the life of twenty-two-year-old Alice Michaels. After her mother and brother die from the disease because of her, she feels obligated to ensure her father’s happiness. Unfortunately, that means ignoring her passion for automatons and instead, pursuing the wealthiest man possible.


But when zombies attack Alice’s cab, being tied down in a loveless marriage is the least of her worries. She is quickly swept up into a secret organization chasing down Clockworkers—and into the arms of Gavin Ennock, a former airship cabin boy and talented fiddle player. Together they will navigate a political conspiracy that threatens to consume their country and the world ...

Check out the cover. I'll hit you all up again when they come out!
 

stevenpiziks: (Default)
In celebration of Open Road Media offering new versions of some of my books, I'm blogging about the history of these novels and how I came to write them. A trip down memory lane!
 
(You can find the books here: https://openroadmedia.com/search-results/books/steven%20harper  Buy a few copies for the kids!)
 
For months I'd been toying with the idea of writing a steampunk novel. I'd already done a couple-three steampunk short stories, and found I liked the genre very much. But I needed characters. A world. A story. So I set about to make them ... by asking myself questions.
 
There are generally two ways to start a science fiction or fantasy novel. You can start by building the wider world and deciding how the magic/science affects the world and the people in it, then narrowing the view down to one person and his or her place in this world. Or you can start with a person and slowly widening your view to the surrounding world, building the setting around the character. I always respond best to people rather than their surroundings, so I almost always start from the character and build outward. And so I set out to make some people in a so-far undefined steampunk setting. 
 
Alice came to me as a young Englishwoman who owned a windup cat and one good dress. This is where the questions began. Why did she only have one good dress? What would she use it for? Where did her windup cat come from? I answered my own questions, and Alice took shape in my mind.
 
I also knew I wanted two protagonists who would eventually form a romantic relationship, and I wanted a male who was very different from Alice, so I deliberately ran in the opposite direction to create Gavin. He was younger, barely eighteen, and unlike ladylike Alice, he lived a life of travel and adventure on a small dirigible, and he played the fiddle. But where did Gavin himself come from? How did he get on the airship in the first place? Why does he play the fiddle? I answered those questions, too. 
 
Every protagonist needs an outrageous best friend, so I created Louisa to be Alice's. Louisa was great fun to write ("Puff up your chest, dear—here he comes with the petit fours!"), and as a result she ended up playing a much bigger role in the book than I'd originally intended. 
 
And we need an antagonist. My favorite kind of antagonist is one who is (rightly) convinced that she's doing the right thing, and the protagonists are terrible people who need to be stopped. Out of this, I got Lieutenant Susan Phipps, who is probably my favorite antagonist of all time. Don't tell my other bad guys!
 
Then I needed to build outward and create my world. I wanted zombies in my world because ... zombies! I wanted mad scientists who created impossible inventions out of brass and steel and steam. But how did these things come exist? Why can the inventions defy known physics? What do you do with inventions that could potentially destroy the world?
 
You put them in the Doomsday Vault, of course.
 
 
stevenpiziks: (Default)
 Hey, everyone!
 
Open Road Media has released new versions of my steampunk series The Clockwork Empire and my fantasy trilogy The Books of Blood and Iron. The new covers are some of the best I've ever seen! And the books are pretty good, too. :) If you missed any of them the first time around, or want a spiffy new edition, now's your chance! Check them out:
 
 
The novels are:
 
THE BOOKS OF BLOOD AND IRON
Iron Axe
Blood Storm
Bone War
 
Death herself is bound and imprisoned, leaving the world in chaos. Danr, a half-troll, half-human outcast, and Aisa, a slave girl kidnapped from her homeland, and Talfi, a boy who can't die, need to save her—and the world. 
 
THE CLOCKWORK EMPIRE
The Doomsday Vault
The Impossible Cube
The Dragon Men
The Havoc Machine
 
The clockwork plague turns some people into zombies and others into mad scientists. England and China are caught in an arms race to control them and their fantastic, deadly inventions. Alice, a fallen noblewoman with a very strange aunt, and Gavin, an American airship sailor stranded in England, are caught in a web of intrigue that spans three continents. The only way they can rescue the world is to destroy it.
 
Have a look!
 
stevenpiziks: (Default)
Authors take pen names for a variety of reasons. Some because they write in different genres and want to keep their readerships separate. Some because they just don't want their real name out there. Some because they're men who write romance, and romances are supposed to be written by women.

Authors choose pen names in kinds of ways. They want to honor a particular person. They use their middle name instead of their last name. They use a name likely to land at eye-level on an alphabetized bookshelf.

I came to my pen name in a roundabout kind of way.

I sold my first novel back in the 90s. The publisher (Baen) liked my book but got mad at me because I dared to hire an agent. It was a two-book contract, and they deliberately tanked my second book. They also had an option on my third book. I struck back by writing a proposal for a book I knew Baen wouldn't want. They rejected it, ending my relationship with Baen.

My agent sold the book (series) to Penguin (now Penguin Random House), but they said that since my real name was tied to low sales of my second novel, they wanted me under a pen name so the bookstore computers would see me as a new author, and order books accordingly. I begrudgingly started writing as Steven Harper, and have used that name for nearly all my novels.

At first, I didn't like this. I wanted MY
 NAME on my books. Since then, I've realized my pen name is probably for the better--few people can reliably spell or pronounce "Piziks," (it rhymes with "physics," for the record), and it's easier for readers to find Steven Harper than it is for them to find Steven Piziks.

I started using Harper as my unofficial middle name when I appeared at conventions or conferences, introducing myself as Steven Harper Piziks so people would know Steven Harper and Steven Piziks are the same person. Eventually--in no small part because I hate my birth middle name but also because I got married--I legally changed my name to Steven Harper McClary-Piziks.

So instead of my middle name becoming my pen name, my pen name became my legal middle name! Life takes us into strange places.


stevenpiziks: (Default)
I'm amazed and thrilled to announce that my story "Eight Mile and the City" from When Worlds Collide has won the WSFA small press award for short fiction.

Check it!

This year, the committee got more than 260 stories for initial consideration. They whittled it down to ten finalists, including my story. The finalist list has some heavy-hitters in the SF writing community on it, and there were so many stories anyway, so I wasn't expecting to win. I had a "It would be great, but no need to get your hopes up" frame of mind. I was in the audience at the award ceremony in Washington DC, and when they announced my story had won, I was floored. I was so surprised, I couldn't do anything for a moment but stare at the announcer. Joshua Palmatier, one of the editors for the anthology, was sitting next to me, and I could see he was thrilled. In a fit of exuberance, I hugged him, then went up to the podium to get the award. I also gave a short speech. This is what I said:

Thank you, everyone! This is amazing!

This story means a lot to me. Not just because I wrote it, but because of what it means. The main character in "Eight Mile and the City" from When Worlds Collide is gay, but that's not what the story is about. The story is about a hardboiled detective trying to solve a kidnapping and uncovering his own past as well.

Not that long ago, this story would only have appeared in an anthology of gay fiction and "only"
gotten the attention of the Gaylactic Spectrum Award. This story appears in a fantastic anthology
of wonderful stories that are geared toward all SF readers. It's not a specialty. It's not an odd outlier. Instead, it's one of the family.

Coincidentally, this weekend marks the opening of Bros, the first R-Rated gay rom-com put out
by a major studio. It's gotten smash reviews and is expected to be a box office success. At last, we get to have a happy ending. We've come a long way since the doom and gloom of Brokeback Mountain.

We still have further to go, of course, but every step forward gets us one step closer to full inclusion and acceptance. I'm thrilled that my story has become one of those steps.

I do want to thank the committee members for choosing "Eight Mile and the City." It means so very much! I also need to thank the members of the Untitled Writers Group of Ann Arbor, Michigan--Sarah, MaryBeth, Jonathan, Christian, Diana, Cindy, Ted, Christine P-K, and Christine D--for commentary that improved every line of this story. I want to thank S.C. Butler and Joshua Palmatier for editing When Worlds Collide and buying my story. And I want to thank my husband Darwin McClary for the inspiration I needed to write this piece.



I'm back home now and coasting on euphoria!

stevenpiziks: (Default)
A resurrection man digs up corpses for a living. In the 1800s, it was illegal to do anything with a dead body but bury it. This meant that medical students couldn't dissect and examine the human body, and it deeply hurt our understanding of medicine. For a long time, there was a thriving underground (cough cough) market of corpses. Resurrection men haunted cemeteries to watch for funerals, and the night after a fresh interment, they'd sneak into the graveyard with their shovels (made of wood because metal shovels are louder) and get to work. They sold the bodies they took to medical schools. Lots of men made a living this way.

Once the students were finished with a given body, it fell to them to rebury the remains. They rarely took them back to the original grave--too much risk of getting caught. Instead, they buried them in any remote place. In Ann Arbor, a favorite place was a track of woodland just past the then-boundary of the university. People sometimes noticed lights out there, and declared the area was haunted. It became known locally as Sleepy Hollow.

A couple hundred years later, the university bought the tract of land but let it lay fallow. A few years ago, however, the university decided to develop the spot. The workers were startled to uncover hundreds of human bones. Thinking it was perhaps the dumping ground for a serial killer, they called the police, who determined that the bones were far too old. It was then everyone realized the bones were the result of decades of reburials by early medical students.

Benjamin Franklin's house in Philadelphia was also the subject of some bemusement. Recently, researchers discovered a cache of human bones buried under his cellar. The most likely explanation was that he let college students or other researchers rebury dissected corpses there so they wouldn't have to risk hauling them through town.

Eventually, the law was changed. Bodies of prisoners, or people who died in poorhouses, or who went unclaimed at the town morgue became legal for medical examination. Then people were allowed to donate themselves to scientific study. There's no more need for resurrection men.

But the idea intrigued me. What would it be like to live that way? Did the job bother these men? What kind of relationship did you have with the local gravedigger?

I decided to find out. The result was Resurrection Men. It goes on sale October 1, and is available for pre-order. Have a look!


stevenpiziks: (Default)
I'm thrilled! My short story "Eight Mile and the City" in the anthology WHEN WORLDS COLLIDE (edited by Joshua Joshua B. Palmatier and Sam Butler has been nominated for the WSFA award for short fiction.

I do love this story, a noir SF mystery set in near-future Detroit.
https://www.amazon.com/When-Worlds-Collide-Esther-Friesner-ebook/dp/B094LHDF8Y/
stevenpiziks: (Default)
When a major, exploitative corporation like Amazon does the right thing, I feel conflicted.https://www.forbes.com/sites/siladityaray/2021/03/12/amazon-responds-to-republican-sens-on-book-ban-says-wont-sell-books-that-frame-lgbtq-identities-as-mental-illness/

I assume this only applies to non-fiction, though I'm wondering how they'll employ this new policy. There are hundreds, if not thousands, of books that would need delisting.

Do note that, no matter what the right-wing says, this is NOT censorship. As a private company, Amazon is not required by the First Amendment to publish your book or offer it for sale on their site. It would be censorship only if the =government= tried to say a book could not be published.

And where were the "Amazon is censoring" nutbags back when Amazon got into a snit with Hachette and pulled all the books by authors with that publisher? Hmmmm? Not a peep back then. We know what they're worried about, and it ain't censorship.
stevenpiziks: (Default)
I'm reading a fair amount of fiction with gay main characters these days, and I'm ready to smack the authors and publishers upside the head. Why? Stupid tropes.

A big part of much of this fiction (especially YA fiction) is the Coming Out Moment. I'm not opposed to having a Coming Out Moment. But I'm opposed to the stupid tropes about it. Specifically:

TROPE #1: The LGBT person comes out to a friend or family member and expects a bad reaction. The friend/family member explodes in anger. "How could you? Why would you do this to me? How dare you?" and the reader is supposed to think, "Oh geez--the poor main character. Now we'll see if s/he has the strength to deal with this." But then, in an amazing plot twist, the friend/family member says, "I'm angry because you didn't tell me sooner! Didn't you trust me?" And it turns out the friend/family member is actually supportive after all.

I despise this trope. First, it isn't in the slightest bit realistic. Second, it's been used over and over and over and over and over. And over. It's like watching a movie with a time bomb in it. There's no suspense whatsoever because we know the bomb will be defused. There's no shock or suspense in this trope because we know what the friend/family member will end up saying. Third, it's damaging. NO ONE has the right to decide when someone else comes out. NO ONE is allowed to decide for someone else that another person is trustworthy with this kind of information. How dare =you= be angry when I've lived my entire life trying second- and third-guess everyone around me about this issue? Fuck you. It's bad writing, it's boring, and it's damaging. It's not suspenseful or amusing or cute.

TROPE #2: The LGBT person comes out to a parent, who immediately shouts for joy. "Oh, I'm so happy for you!" the parent gushes.  "Yay! You're gay! You know, Myra has a son who's gay. Maybe you two could date! I want to throw a coming out party for you. Let's pick out some outfits." This one is meant to be a reversal on the more expected response of disappointment, fear, or even hatred. The problem is, like the one above, it's been done and done and done and done. It also makes the parent (usually a mom) look like a complete ditz. Finally, the parent is dismissing the entire event by making light of it. The teen has just done something very person and very powerful, and the parents reacts like a five-year-old being told they're going to Disneyland, which diminishes and infantilizes the news. The author again means to be different and cool, but it's cliche and stupid, and it makes me throw the book across the room.

We have the obligatory plug. If you want to see a much better handling of the coming out, read THE IMPORTANCE OF BEING KEVIN.


stevenpiziks: (Default)
 I did a guest blog earlier this week, but my schedule in Germany is a little hectic and I haven’t had time to share it: https://www.myfictionnook.com/2019/07/blogtour-the-importance-of-being-kevin-by-steven-harper.html I have some truly strange and useless skills! 

stevenpiziks: (Default)
 I’m guest blogging in a bunch of places this week for THE IMPORTANCE OF BEING KEVIN. Today we have a post at Kimmer’s Erotic Book Banter. (I should probably point out that KEVIN isn’t an erotic book, and neither is my post.) http://www.kimmerseroticbookbanter.com/2019/07/03/guest-post-with-review-the-importance-of-being-kevin-by-steven-harper/ 

 

Kimmer also reviewed the novel. She calls it “thrilling, surprising and highly engaging . . . a gasp-worthy page-turner that you won’t want to put down.” Go see! http://www.kimmerseroticbookbanter.com/2019/07/03/review-the-importance-of-being-kevin-by-steven-harper/ http://www.kimmerseroticbookbanter.com/2019/07/03/review-the-importance-of-being-kevin-by-steven-harper/

stevenpiziks: (Default)
My story "Brick and Mortar" appears in the upcoming anthology PORTALS.  It's all about the gateways to another universe!  You can pre-order at https://squareup.com/market/zombies-need-brains-llc   

PORTALS: What mysteries…or horrors…await you on the other side?
The lure of an open doorway is hard to resist. What lies beyond? Where will it take you—and how will you be transformed? Will it lead to paradise…or a living hell? You’ll never know, unless you have the courage to take that first step.
In this anthology you will find sixteen stories of portals to exotic destinations, whether it’s a doorway in the desert that appears out of thin air, a fairy ring of mushrooms in the backyard, a crack in the road, or a train headed straight to Hell. Science fiction and fantasy authors Nancy Holzner, Esther Friesner, Ian Tregillis, Jacey Bedford, John Linwood Grant, Kate Hall, Gini Koch, Violette Malan, Juliet Kemp, James Enge, Steven Harper, F. Brett Cox, Jaime Lee Moyer, Jason Palmatier, Andrija Popovic, and Patrick Hurley invite you to step through a host of doorways to other realities with infinite possibilities, some horrible, some comic, and some just plain weird.
 
So take my hand—not too tight!—and let’s journey into another world. The door is open. The portal awaits.


stevenpiziks: (Default)
I've posted my weekly story at Curious Fictions.  Go see!  https://curiousfictions.com/authors/560-steven-harper

Last week, I posted "Thin Man," a dark fantasy set in Victorian London about a climbing boy named Dodd. Decades later, I was invited to submit a story to THE SHADOW CONSPIRACY steampunk anthology, and it occurred to me that Dodd's story wasn't finished yet. So I wrote "The Soul Jar." Out of all my short stories, this one is my favorite. See if you agree.

THE SHADOW CONSPIRACY is still in print at Book View Cafe: https://bookviewcafe.com/bookstore/book/the-shadow-conspiracy/
stevenpiziks: (Default)
I've joined Curious Fictions.  And what is that?  Curious Fictions lets me post my work and make it available to my awesome readers.  I've written over 50 short stories, but they go out of print quickly.  Curious Fictions lets me put them out there easily.  I'll also be mirroring my blog there, so you can see what I'm up to.

My plan is to post one of my stories every week and later to start serializing some of my novels. I've put up the first story: "Bait and Switch." It appeared in FANGS FOR THE MAMMARIES, part of Esther Friesner's series of suburban fantasy humor anthologies.  I think it's one of my funnier pieces.  I hope you do, too!

You can find my Curious Fictions page at https://curiousfictions.com/authors/560 Go see, and tell me what you think!
stevenpiziks: (Default)
I'm pleased to announce I've sold my twenty-fifth novel!  Dreamspinner Press and I signed a contract for a YA novel.  It's tentatively scheduled for release in late 2019.

The blurb runs:

    Kevin Devereaux's life can't get worse. He's on probation. He's stuck with an unemployed ex-convict dad. And he lives in a run-down trailer on the crappy east side of town. To keep his probation officer happy, Kevin joins a theater program for teenagers.  On the first day, he falls hard for Peter Finn, the lead actor in the show. Peter returns Kevin's feelings, to Kevin's surprise, and for the first time, Kevin learns what it means to be in love.
    But even this isn't easy. America might have become more accepting, but Springdale is a conservative town, and Peter comes from a prominent family. They wouldn't approve of a gay son, and they definitely wouldn't approve of a boyfriend from the east side. The relationship has to stay a secret. Still, Kevin and Peter can cope as long as they have the play--and each other. Right?
    And then violence tears their world apart. Les Madigan, another member of the cast, brutally attacks Kevin. When Peter learns of it, he storms off swearing revenge. The next day, Les turns up dead, and the police arrest Peter. Peter swears he's innocent, even as the evidence against him mounts.
    Kevin is forced to deal with the emotional aftermath of his own assault and the possibility that his boyfriend killed someone in his name, all while sticking to a strict rehearsal schedule, figuring out what it means to be gay, and holding the shreds of his life together behind the scenes.

The working title was Behind the Scenes, but it turns out Dreamspinner already has a book by that title in the catalog, so to avoid confusion, we'll re-title my book.  This is fine with me--I've never been happy with that particular title, and I'm hoping someone can come up something a little snazzier.

This is my twenty-fifth book!  I sold my first novel in 1993, exactly 25 years ago!  That means I've sold, on average, a book a year since my first.  Go me!

Watch this space for more details.


stevenpiziks: (Outdoors)
Hey, folks--this time around we have a guest blog from the delightful Harry Connolly.  There's more than one way to fail--and to succeed.

Harry Connolly’s debut novel, Child Of Fire, was named to Publishers Weekly’s Best 100 Novels of 2009. For his epic fantasy series The Great Way, he turned to Kickstarter; currently, it’s the ninth-most-funded Fiction campaign ever. Book one of The Great Way, The Way Into Chaos was published in December, 2014. Book two, The Way Into Magic, was published in January, 2015. The third and final book, The Way Into Darkness, was released on February 3rd, 2015. Harry lives in Seattle with his beloved wife, beloved son, and beloved library system.Great Way Final Cover eBook 3 copy

Let’s talk about the best way to fail.

I have some practice in it. In 2008, I landed my very first publishing deal, three books for a (low) six-figure payout. By late 2011, that was over; the books hadn’t sold very well and Del Rey dropped my series. Artistically, the books worked. Commercially: nope.

I sent them something else I had written, another urban fantasy novel, because they had an option on my new book. They passed on that, too. I followed up with an epic fantasy, which my agent tried to sell. No one wanted that one, not my old publisher, and not any of their competitors.

And to talk further about failure, take a look at those previous paragraphs and think about this blog post, which I’m writing to try to market my new books.

It’s easy to fail; there are so many ways to do it. Some people just aren’t ready, some will never put in the work they need to become ready, some sabotage themselves, some…

Wait, I think I fall into that last group. Maybe I’m one of those who sabotage themselves.

Quick story: when I turned in the second book on my contract with Del Rey, Game of Cages, my editor asked me to change the ending. What I had was dark. Really dark. Like, awful, soul-killing dark. She wanted me to turn it around and let the hero be heroic. Let him save people, like Indiana Jones. Well, it’s one thing to say something is too much (I can understand that) but to turn a tragedy into victory? I didn’t want to do it.

And I spent a week thinking about it. Was I the type of writer who changed the most important part of the book—that dark and tragic scene—because maybe the book would sell more copies without it? It turned out that I wasn’t. I rewrote a lot of other stuff around that scene, but the bit where the protagonist is attacked by a crowd of innocent people who’ve been mind-controlled, well, it’s still in there.

Did I mention that the series was not a commercial success?

Hey, maybe it would have sold better if I’d written a traditional hero narrative, but the whole idea behind the books was to thwart that narrative. The protagonist tries several times to play the role of the hero but it never works out for him. And yeah, it sounds silly for me to be talking about artistic integrity when it comes to my potboilers of magic and monsters, but that’s how I feel.

The option novel was different. Everyone (including me) has been writing urban fantasy about young ass-kicker heroes with Harleys and enchanted katanas. Me, I thought it would be interesting to turn that around. It’s the modern world! Why are these people solving their problems with violence?

So I wrote a pacifist urban fantasy set in Seattle. The lead is a sixty-five year old socialite who’s a cross between Auntie Mame and Gandalf…

Nobody wanted it. There were times when I had to stop and ask myself what the hell I was doing.

Finally, the epic fantasy: frankly, I thought I had a winner with this one. It’s about a sentient curse that causes the collapse of an empire. You know how epic fantasies are full of old ruins from a lost civilization? I wanted to write about that. And there was portal magic and a near-sighted soldier and a lot of decent people trying to survive a horrifying invasion.

But the responses surprised me. A story with portal magic, where the protagonists don’t themselves pass through the portal? That choice stymied at least one editor. Portals are for protagonists to invade, not to be invaded, apparently.

Besides, the book wasn’t grimdark. Rejection after rejection said they were looking for grimdark and I wasn’t offering it. Another failure.

In the context of that failure, I turned to Kickstarter to fund the epic fantasy trilogy and the pledges blew the doors off my funding goal. Things went so well that I added the pacifist urban fantasy in as a stretch goal and bought cover art from publishing pro Chris McGrath. Being a self-sabotaging idiot with my career might not have won me huge numbers of fans, but the ones I do have really like my work. And of course, once the Kickstarter pledges topped 500% of goal, a number of smaller publishers became interested in taking on the trilogy.

So, yes. I have failed repeatedly. I have felt dismal and small, and I’ve wanted to punch myself for writing the books I write. But would things have really been better for me if I had changed the end of Game of Cages? Maybe, but there are never any guarantees. And you know what would have been worse than the failure I had? Changing the book and failing anyway. I would have flopped anyway, and it wouldn’t even be my book.

I plan to keep making my goofy choices and trying to do things differently from everyone else. Hopefully, I’ll be able to find a whole bunch of readers who like the things I like.

If you’re at all curious about that trilogy (“Epic Fantasy that reads like a Thriller” — Kat Richardson), you can read about it here. You can also check out sample chapters on my blog.
stevenpiziks: (Good News)
I'm thrilled to announce that Roc has bought from me a new fantasy trilogy!  The titles include:

IRON AXE
BLOOD SCROLL
BONE WAR

Eons ago, the Iron Axe split the world into pieces and put humanity into thrall of the elves.  Danr, outcast to the Nine People, makes a deal with Death to find the Axe and heal the world--if he doesn't destroy it first.

It's time to celebrate!

Profile

stevenpiziks: (Default)
stevenpiziks

June 2025

S M T W T F S
12 3 45 67
89 1011121314
1516 1718192021
22 232425262728
2930     

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jul. 6th, 2025 12:53 am
Powered by Dreamwidth Studios